Vessel

Walnuts in a hand carved wooden bowl black and white still life portrait photograph P. Maton 2017 eyeteeth.net

Beech bowl with Walnuts.

This was the first bowl I made around eight years ago with windfall Beech from Ashdown Forest.  It is still my favourite vessel for soups and stews and always takes me back to the memory of carving it by the camp fire among great friends.

 

 

 

Axe handle testing.

Nothing like a dead standing Oak tree to test the fit and strength of a newly made Ash axe handle…

two axes in stump of felled Oak Tree. Monochrome Landscape. © P. Maton 2014 whittleandstitch.net

…both handles were hung and secured only with Oak wedges. Happily they both passed the test without fault.

The heads are an old 4lb Gilpin (or is it a Brades, I can’t remember now) and an unstamped Maine pattern double bit.

All the best.

 

Small Puukko

Here is a little Puukko (Finnish style knife) with a lanyard for wearing around the neck that I made a while ago. The handle is rosewood with a Lauri 63 blade and brass fittings, the end cap is hiding a recessed brass washer and peened tang.

Small Puukko knife with leather sheath on grass in sunlight. Colour Landscape. © P. Maton 2015 whittleandstitch.net

 

This was really a practice piece for learning how to Butt Stitch the leather on the sheath. This is particularly tricky on a contoured form like this because as the name suggests the two edges of the leather to be sewn need to butt up against each other. Consequently the leather needs to be measured and cut very accurately to achieve the required fit
Small Puukko knife with leather sheath on grass in sunlight. Colour Landscape. © P. Maton 2015 whittleandstitch.net

The Awl is used to make stitch holes that go diagonally from the surface of the leather to just above the bottom edge of the under side. This creates a seam that is no thicker than the leather and serves to shield the stitching from abrasion on both sides, in fact the tread is invisible on the inside.

Small Puukko knife with leather sheath on grass in sunlight. Colour Landscape. © P. Maton 2015 whittleandstitch.net

This took four attempts and as you see is far from perfect, something I need to keep persevering with. I have since learnt on other projects that under cutting the edges by half a millimetre or so prevents the slight gap where the edges meet as seen here.

To give you and idea of scale here is a shot of it when it was first made and the dye was/finish was still drying.

Small Puukko knife with leather sheath on on hand. Colour Portrait. © P. Maton 2015 whittleandstitch.net

All the best and thanks for looking.

 

Spatulas and a spoon – first stage, axe carving.

I have a few large beech logs that have been awaiting my attention since last spring. I was slack and didn’t seal the ends so I was unsure how workable the wood would be after so long, fortunately the workshop isn’t exactly a dry environment.

Splitting spalted Beech log with an axe and mallet maul club. Hand made wood craft. Colour landscape. © P. Maton 2015 whittleandstitch.net

Happily they haven’t cracked too much and best of all they have spalted beautifully without going too soft to be viable. I already want to make some bowls from this stuff.

Axe wood carving, spalted Beech spoon and spatula. Hand made wood craft. Colour landscape. © P. Maton 2015 whittleandstitch.net

After splitting down some suitable sized billets I spent some time roughing out a large spoon & two Gooseneck Spatulas™ (ha ha). As well as being an enjoyable way to get back up to speed with the axe it is a good way of assessing the workability of the wood, if the spalt had gone too far the impact of the axe would soon make it apparent.

Axe wood carving, spalted Beech spoon and spatula. Hand made wood craft. Colour landscape. © P. Maton 2015 whittleandstitch.net

Now the basic shape and lines have been established they will be further refined and finished with hook and straight bladed knives.

I’ll report back when they have been done.

All the best.

Before and After

Spalted Beech Spoon Hand Carved by Peter Maton 2014 Whittle & Stitch

I thought you might like to see how this spoon began taking shape and what it looks like after a few years of use.

This one began, as many do, being hewn with an axe from a billet of wood split from a Beech Log. The wood had spent over a year weathering in the yard at my workshop and had developed a Spalt running through the grain; lovely patterns caused by fungus penetrating the wood and forming hard dark barriers at their margins. If left too long in such damp conditions the wood becomes crumbly and brittle in places but fortunately I used this piece before that had happened.

Spalted Beech Spoon Hand Carved by Peter Maton axe work in progress 2014 Whittle & Stitch

Once the rough shape is formed with the axe I use whittling knives & curved spoon knives to refine it further before setting the piece aside for a while to allow any remaining moisture escape.

Spoon knives by Svante Djarv of Sweden & straight whittling knife  with blade by Dorset Woodland Blades and handle & sheathe by P.Maton 2014 Whittle and stitch.net

Once the wood is dry the knives are used to carve the final smooth surface and the piece is sealed with Flax seed oil to protect it.

Here are some images of this one after it has been used for a few years and begun to gain some real character.

Spalted Beech Spoon Hand Carved by Peter Maton 2014 Whittle & StitchSpalted Beech Spoon detail Hand Carved by Peter Maton 2014 Whittle & Stitch Spalted Beech Spoon Hand Carved by Peter Maton 2014 Whittle & Stitch Spalted Beech Spoon detail Hand Carved by Peter Maton 2014 Whittle & Stitch